Live Broadcast Studio Technician

Responsibilities

• Operate a sound desk and robotic multi-camera system simultaneously and general technical setup to support high-quality live and recorded production
• Manage multi-zone studio audio, including dedicated talent zones, audience zones, and broadcast faders, simultaneously on the Yamaha QL1
• Monitor and correct acoustic feedback in live talent environments, including stage speaker configurations in high-density studio settings
• Cook up IEM signal chains for on-air talent during live-to-tape productions, including fader ceiling management and pack-level coordination
• Adapt technical approach across multiple studio environments, each presenting distinct acoustic conditions and production demands
• Maintain production quality for live and prerecorded streams
• Support the workflow that transforms live events into on-demand assets
• Act as the first point of escalation for production-related issues, collaborating closely with engineering and wider teams
• Ensure smooth execution of production runs, including protocols, timings, and on-the-ground coordination
• QC additional production content, including scenic assets, original production, and remote content
• Contribute to an environment that values creativity, innovation, problem-solving, and operational excellence

Requirements

• Professional experience in a live broadcast or studio control room environment
• Working knowledge of operating a networked audio ecosystem simultaneously within a live production environment, including digital audio consoles, audio over IP protocols, and broadcast control and routing systems
• Strong understanding of live audio mixing as the primary technical competency, with working knowledge of robotic camera systems, vision mixers, and production comms
• Experience in a high-frequency live streaming production environment with simultaneous live audience and broadcast output
• RTS Comms Panels, DPA Microphone Systems, In-Ear Monitor (IEM) Signal Chain Operation
• Clear understanding of shot framing, audio mixing, and production comms etiquette
• Able to multitask under pressure while maintaining accuracy and attention to detail
• Motivated team player with a proactive approach, strong communication, and a commitment to collaborative working
• Daya QL1 Audio Mixing Console or similar, Dante Networked Audio Protocol, Cerebrum Broadcast Control and Routing System, Ross Carbonite/TouchDrive, Mark Roberts Robotic Camera Control System, Sony FS7 Camera (Robotic Operation), Multi-Zone Live Audio Mixing, Basic Mac OS X and Apple Computer experience

Qualifications

• Understanding of end-to-end streaming workflows
• Ability to adapt to streaming-native workflows distinct from legacy linear broadcast environments
• Readiness to operate independently within a structured onboarding window with minimal ramp-up time
• Comfort working in shifts, including early mornings, evenings, and weekends
• Adaptable and able to quickly learn to turn a tight training schedule into high-level performance